Luke Sullivan’s book – we use it to teach young writers and art directors their trade.

As you’ve no doubt memorized it, you know it leads to cluey creative people who can
change things. 

With that, D&AD is another teaching source that kick starts ability.

Especially annuals from the 70s and 80s.

Additionally, there’s the J. Peterman catalogue.

Remember it?

At one point it became the darling of the Seinfeld show as each product story is
relatable and amusing.

An example of that is the J. Peterman vintage football jersey with striped sleeves.

Here, stripes aren’t just ornamental.

The copy tells us they harken back to the early days of football when players added strips of canvas, leather or moleskin to their sleeves to prevent fumbling.

Well, nobody wants the ball squirting out when they’re tackled, do they?

You have an echo of that in the J. Peterman jersey, illustrating the fact that a functional attribute also looks great.

This exemplifies the Peterman philosophy.

“People want things that are hard to find. Things that have romance, but a factual romance about them”.

Before you write your next ad, social media post, landing page or web copy, it might be an idea to search for some of that romance with inspiration from the Peterman catalogue.

That way you’re bound to come up with an emotional narrative that’s insightful and persuasive. 

The opposite of writing that’s fact-resistant, feeble and out of touch with interest.

Classical music has always been an emotive part of theatre, films and commercials.

For many that’s especially true for commercials.

No doubt you’ve enjoyed the Hamlet Cigar spots all the more for the choice of Bach’s Air on a G String .

The piece works as a counterpoint to the humor of the spot while the gentle progression of notes supports Hamlet’s branding as the ‘mild cigar’.

It’s enough to make reformed smokers think again. Well, we did.

Equally, you might remember the music from the British Airways “Face” film.

It’s from Leo Delibes and his Flower Duet in the opera Lakmé.

Few people wish commercials were any longer than they are, but we’re thinking the choice of this track changes all that.

It pairs so well with the visuals, you might want to binge and screen it more than once.

Another opportunity for great music is ahead of us on May 6^th.

That’s Coronation Day.

Westminster Abbey will overflow with pageantry that will be broadcast to the world.

We’re only guessing at this point, but the music of Handel could be chosen to add even more to the pomp and splendor.

George Frideric Handel, born in Germany in 1685, lived most of his life in England and as such is looked upon as an English composer.

Handel was not only a prolific composer, his work was also admired by Beethoven and Mozart.

But what Handel piece will take pride of place on the day?

Again we’re only guessing, but it could be an anthem called Zadok the Priest.

It’s been performed at every English coronation since 1727.

Here’s a preview:

With a world audience (swelled by the popularity of productions like Downton Abbey and The Crown) there’s every chance Handel’s coronation anthem will become widely known.

So in future it might just be the thing to add a celebratory note to TV spots and videos.

Who knows, maybe it’ll be your spot that benefits from music that’s so timely and distinctive.

We spotted a solution to a problem that surprised and delighted us.

It’s in the headline above, used by a house painter.

What a strong thought. 

But can we really get the job done and get rid of the effing inconvenience
in one short day?

We went on the painter’s Website to see.

There were reviews, but many were negative.

It reminded us of something Bill Bernbach said:

“A great ad campaign will make a bad product fail faster.
It will get more people to know it’s bad.”

That’s spot on in this case.

It seems there are plenty of telling Bernbach quotes online.

They could serve as a marketing and advertising course you could call Improvement in One Day.

So why not set aside one day.

Get your team together and use Bernbach’s thinking as talking points.

Read out the quotes then let the comments flow.

And with that, relevant stories about your brand and how you can improve
everything from competing in the marketplace to short termism in creative work
vs long term brand planning.

Bill Bernbach hasn’t been around for eons in advertising years but his thinking about
why we’re in business remains.

Thanks to him, in one day you could save painting yourself into a corner.

PS. To start you off, here’s a Bernbach thought that should resonate with your CFO:
“The purpose of advertising is to sell. That is what the client is paying for and if that goal does not permeate every idea you get, every word you write, every picture
you take, you are a phony and you ought to get out of the business.”

You might have seen a piece we posted recently about ageism.

It aims to help senior art directors and copywriters avoid the push by planning for a second career.

Here’s the link showcasing two senior creative people, Geoff Stevenson and Mark Denton: http://whybetonto.com/your-second-career-get-cracking-on-it/

You don’t need me to tell you it’s a bumpy road for art directors and writers in their 50s. 

The threat of ageism has been likened to an Arctic chill.

Given that, what’s your plan? 

 You can freelance, but you already knew that, so let’s move on.

The few who are chock-a-block with talent and contacts (George Tannenbaum is one – see his Ad Aged blog) can start their own company. 

By answering only to yourself you’re bound to feel all your Christmases have come at once.

But then there’s also further education. 

That may be more viable with business school as another option.

On offer are executive education programs that don’t require the time, commitment or the eye-wateringly high tuition costs of an MBA. 

Business schools are keen for working professionals to apply and many programs are structured with customized learning paths. They can be part-time, in-person, live online and online at your pace. Please yourself.

Subject matter includes marketing, strategy, leadership, management, social enterprise and finance. And you can earn a certificate.

With that certificate in hand you can begin to lower the barriers to future employment, develop immunity to further ageism and assert your value. 

We spotted on-going benefits for you, starting with marketability.

You gain skills, strengths and business cred well beyond what’s on your resume. 

Cred translates as resourcefulness to employers and sets you apart. 

You learn from professors who know their stuff with courses that are applicable to your professional development.

The idea is to build your knowledge so you can pivot to another industry.

You benefit with networking — other program participants are likely to come from diverse industries, roles, geographies and backgrounds.

You’re bound to find friends, allies and long-term business contacts among them. 

You can also call on alumni – you’ll have commonality there, a strong starting point with MBAs who could turn out to be future employers.

One other thing.

Business schools have career centers.

So there’s every chance you’ll benefit with professional coaching and maybe even introductions to hiring managers.

Recruiters troll business school career centers to find talent – who’s to say you won’t be the next gem they turn up. 

If there’s a spark of an idea here, research business schools in your area. 

Have a look at several programs, speak to admissions people one-on-one, attend an on-campus event, chat to existing students, read student blogs, see if there’s a scenario that makes sense for you and your lifestyle.

At the very least this is an idea you can mull over. Hope it helps because whatever your choice, we don’t want you disappearing from view.

Restless leg syndrome.

A few years back a guy sitting opposite us had it in a big way.

It was his way of calming himself.

He had just been shown the door as an art director, let go, thanks to ageism.

It’s sad and infuriating, of course, made even worse by a question he repeatedly asked.

Whaddya do when you’re still brilliant?

One thing is to prepare for ageism, keep it from surprising you.

So before you get to the borderlands of your career, have a care and start planning for your next gig.

As a push in that direction, here are two role models for you.

The first is Geoff Stevenson, a cartoonist.

That’s his work you see here.

Geoff was a copywriter in London and Sydney.

He did the kind of ads people in agencies like Collett Dickenson Pearce admired.

He also wrote on a sitcom, did Nickelodeon episodes, illustrated a dozen kid’s books and had an animation pilot.

More than a few strings to his bow.

Including working as an extra on Scrubs when he arrived in LA from Sydney.

You probably saw Geoff as Dr. Beardface. 

He was such a strong draw in the show they gave him more than a few lines of dialogue and made him a regular.

Geoff went on to swap making ads for doing cartoons.

He wasn’t pushed out by ageism and neither should you be.

It’s worth taking note of something David Ogilvy said on the subject.

Advertising is great training for a second career.

In fact, he went further.

Ogilvy thought everyone should have two careers to get the best out of life.

Getting the best out of a second career is another role model, Mark Denton. 

After being a top creative guy for decades, agency principal and D&AD committee member he’s doing it all again.

He applied for and landed a position as an intern at St Luke’s in London.

Yep, intern — no word of a lie about it.

So, how do you square starting at the bottom at age 65?

Well, for starters, everyone benefits.

Mark gets to contribute to what’s next in the business while everyone at St. Luke’s gains from his infinite experience.

Both these guys, Geoff and Mark, seem to have a mindset that’s ideally restless. 

You don’t see them being cowed by anything.

Who’s to say you can’t improve on that with your own individuality and talent.

So have a go.

But meanwhile, before Day One of your second career, do one thing.

Do great ads, knock everyone’s eyes out with surprising work and enjoy doing it.

Because in its pure form – without ageism — there’s no career like it.

Know this Tom & Jerry cartoon? 

Tom is at the billiard table.

The ball flies madly about, caroming off the cushions, going everywhere but into the pocket.

Frustrating. 

But a resourceful Tom reaches over to literally ‘pull’ the pocket into the path of the speeding ball. (The magic of animation.)

With that shift, the shot is lined up and deftly drops in. Brilliant.

Like Tom, Steve Harrison is out to shift things.

But this time it’s with advertising and brand purpose.

Is advertising meant to save the world? Will it pull rabbits out of hats for marketers?

Is brand purpose the goal? 

If so we’re wondering if it’s to the exclusion of selling something.

Remember selling?

To bring that into focus you have Steve Harrison working for you.

He’s dark on crappy ads that can’t sell, ones that are lost opportunities because they lack any wit, charm and reasoned persuasion.

So this book is not unlike the crack of a rifle shot that startles us, making readers realise creative work must improve – or else.

As such you get something of a contrarian view. 

But it’s a view backed by hard facts that cast new light on misleading generalisations. 

Like Millennials being wedded to social purpose.

Not the case, as we learn.

Readers benefit as Steve Harrison shifts the focus from political solutions like brand purpose to messaging that can stop people and create the moment someone buys.

Well, will anyone balk at revenue flowing in? We doubt it.

Yes, contrarian … that may be the case.

But if you don’t question the status quo and apply hard facts are you fully awake?

Are you thinking hard enough?

Everyone in marketing and advertising should read this book.

The thing is, you need to do it before your competitors do. 

That way it’ll be your shots that drop deftly into the pocket, not theirs.

The Corpse Club was founded by Evelyn Waugh when he was at school.

Probably age 15 or so, around about 1918.

It was fashionable then to display a superior attitude to the tedium of the classroom.

Rote learning was killing. School masters who were anything but wry, smart and funny were even worse.

As a subversive response to the dullness of it all, the Corpse Club was for those who were bored stiff.

It was home to you if you were cynical, witty, vengeful and irked by monotony.

Monotony in all its forms … it makes me think we could do with a Corpse Club in the current lockdown.

But this time the Club agenda would include something beyond cynicism. Something positive.

Those in marketing and advertising might want to take note.

Because instead of subjecting your customers and prospects to ads that bore them stiff you could work for something better. 

Something with wit, charm and reasoned persuasion that will hold a prospect’s interest. 

We’re talking ads that go beyond corporate imperatives to reflect a customer’s point of view. 

How do you go about this? 

Not by being an armchair theorist and not by making the mistake of taking advice solely from yourself.

So reach out. There are more than a few blogs and books out there to teach you how to think and do better ads.

One is from Drayton Bird.

David Ogilvy thought the world of him and I’m betting you will as well when you visit askdrayton.com.

Then there’s a book called Predatory Thinking, from Dave Trott.

It’s one of many he’s done that have awakened scores of marketers and creative people.

Be the next to benefit by giving Predatory Thinking a go in the lockdown.

Because if you’re not predatory in your approach to attracting and keeping customers you can bet one group of people will be.

Your competitors.